the track starts with an outtake - i'd been listening to the track through with massive delay and reverb on the backing vocals (to accentuate the mad wails) and found this wierd haunting laughter at the end, left off the finished mix. so what's remixing but emphaising that which was subtle in the original, rejigging the balance? i hope the intro isn't too similar in effect to 'my superb'. i just wanted that first line to ring out in it's purity and optimism. we then enter a lofi section, i was thinking of doing something quite dubby, and this is how it turned out. then i run out of song, and from there on it's into the wilderness of my imagination.

i have to say, i scared myself during the recording of this song, and maybe i will scare you too. during what i might now call the 'degree absolute' section, i really felt like number six in 'once upon a time' (the penultimate episode of the prisoner). after a terrible journey home in which misery upon misery was piled upon me (i won't bore you with the details here) i came home, recorded the beat boxes, and then added the 'squeeze...hold... games' vocal line, and as the recording went on, just started moaning and howling down the microphone in a cathartic cleansing. later, in bed, someting really wierd happened..i suddenly started feeling awful, really mentally sick, then images of crocodile jaws flashed into my mind and i got heart burn.

this song demonstrates a couple of things i have been meaning to try out in other contexts; the beat boxing, which i'd like to try on the TOTF cover of 'the national anthem', and the synth sound which has been fashioned for 'new boyfriend'.

we then go into the electro section of the song, which was my original idea for the remix. i fancied going map capsule markets style at the end with a fat fast beat, but my hands don't seem to be able to make those anymore.